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      <image:title>News - School Murals Feature in Sydney's Sun-Herald</image:title>
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      <image:title>News - Atelier Sineux featured in new Léger book</image:title>
      <image:caption>Cover of the newly published work on acclaimed French artist, Fernand Léger: Un Normand Planétaire.</image:caption>
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      <image:title>News - Perfect Match is a perfect success!</image:title>
      <image:caption>Detail from the Perfect Match mural for Camelot Lounge in Sydney's Marrickville.</image:caption>
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      <image:title>News - Collection now showing at Mosman's Moulton Gallery</image:title>
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    <loc>http://www.huguessineux.com/news/2014/11/2/hugues-newtown-mural-forms-part-of-the-perfect-match-program</loc>
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    <lastmod>2020-06-15</lastmod>
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      <image:title>Portfolio</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/527381f0e4b0f3771e02b5c9/1383302530923-9WH3G7DL3Z3CISKP10OZ/Artarmon-Aug+13+lo+res.jpeg</image:loc>
      <image:title>Portfolio</image:title>
      <image:caption>Artamon Public School, Sydney 2013 The Principal of Artarmon Public School commissioned a series of four murals within the school grounds. This colourful, circular piece pictured is situated in what was a dark, covered courtyard near the water fountains. The aim was obviously to brighten the space for the students, but it has had an added impact in providing a historical context for the school grounds as a whole. The inspiration was the work of French artist Sonia Delaunay who was one of the first avant garde female painters at the very dawn of the Art Deco movement. It seemed a fitting tribute to the school itself which was founded in 1928 - the same time as Delaunay’s dynamic work was in its heyday. (Photograph: Niki Hughes Photography) The second piece featured here, 'the hopscotch mural', is a new take on one of Hugues' French murals, this time drawing heavily on both the palette and the energy evoked by the graphic abstract. The hopscotch piece breathes new and colourful life into our conception of a classic school yard game, and has proven to be hugely appealing to both children and adults alike.  </image:caption>
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      <image:title>Portfolio</image:title>
      <image:caption>Paintings In addition to his extensive and varied mural work, Hugues is an accomplished painter, working predominantly in oils and acrylics. His signature atmospheric European interiors and urban landscapes draw heavy inspiration from American Realism, a movement of the early 20th Century defined by its focus on everyday social realities, and often associated with American painter Edward Hopper. Hugues makes the style his own with his intense focus on dramatic lighting, and an occasional capricious flourish. Recently, Hugues was awarded Second Prize in the Painting (Rural Subject and/or Landscape) Class at the 2015 Royal Arts &amp; Crafts Show, for his landscape 'Sandy Hollow'. A collection of European interiors and Australian landscapes on canvas are available through Marcia Moulton, Director of Moulton Galleries in Mosman, Sydney.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/527381f0e4b0f3771e02b5c9/1557556601779-EV9QPGVOK445OU12HI9F/Bell+boy+close+up.JPG</image:loc>
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      <image:title>Portfolio - Rooftop, Sydney - 2016</image:title>
      <image:caption>The client, living in a beautiful classic terrace in Sydney's Newtown, wanted to decorate the corrugated roof at the back of her home as her study looked right out onto it. She was initially interested in a garden trompe l'oeil  but once I studied that possibility closely, we soon realised that the corrugated surface would distort the image too much for a satisfying scene. We settled on a more decorative design, inspired by William Morris wallpaper designs with a Margaret Preston palette. You can see the image flowing straight over part of the skylight. The client was very happy with the end result, and thankfully the neighbours like it too!</image:caption>
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      <image:title>Portfolio - Knox Grammar School Centenary Mural</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/527381f0e4b0f3771e02b5c9/1391680774544-WA7C0E2Q81VNH06FAHFI/Marche+%26+Leger.jpeg</image:loc>
      <image:title>Portfolio - Le Marché</image:title>
      <image:caption>Le Marché acrylic on cement; approx. 300 square metres Location: Argentan Town Centre, Normandy, France Client: Argentan Town Hall Year: 2008 This piece forms a striking backdrop for Argentan’s town centre, which has a long history as an open-air, fresh produce marketplace. One of the many towns of Normandy heavily bombed during World War II, the town centre and market square were completely rebuilt after the liberation of France. A place of immense cultural diversity, the marketplace is a hub for this region as people from all over the countryside flock to sell their produce, meet with friends and stock up for the week ahead. This wonderful, busy community hub directly inspired the piece, capturing many of the locals and their individual activities. The F. Leger mural portrait that you can see in the background is part of a seperate commission for the Argentan Hospital</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/527381f0e4b0f3771e02b5c9/1384591993130-KTIZNFB22LYFUIEAWKW9/Argentan+train+station.jpg</image:loc>
      <image:title>Portfolio - The Station</image:title>
      <image:caption>Work:        The Station acrylic on cavas; 10 x 3 metres (5 panels) Location:    Ticket Office/Waiting Room, Argentan Railway Station, Normandy, France Client:        Socété Nationale des Chemins de Fer (SNCF; France National Rail Authority)    and             Région Basse-Normandie (Regional Government) Year:        2008 This public commission pays homage to three French artists. Andre Mare and Fernand Léger, both internationally renowned painters, were born in the town of Argentan. Jacques Tati, the iconic French filmmaker, filmed the opening scene of his classic silent comedy Les Vacances de Monsieur Hulot (Mr Hulot’s Holiday, 1953) on location at this station. The Client requested a feature to decorate this high-traffic area for those who regularly travel between Paris and this regional centre. Léger’s bold geometry and colour palette are clearly at play, as the expressive linework evokes the busy, bustling scene of Tati’s film. Each of the three artists are also physically represented in the painting, interacting amongst a host of other characters who represent the diversity of interests and occupations in the community.</image:caption>
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      <image:title>Portfolio - Hom</image:title>
      <image:caption>Work:        Homage to Fernand Léger mineral paint on limewashed stone; 20 x 10 metres Location:    Argentan Hospital, Normandy, France Client:        Argentan Hospital Year:        2010 The internationally reknowned French modernist artist Fernand Léger was one of the first cubist painters and a key influence on the avant garde movement of the 20th Century and modern advetising design. Born in Argentan in 1881, this mural commemorates the man with both a portrait and extended quote (taken from an article he wrote for the influential culutral magazine Le Lettres Françaises in the 1950s) in which Léger reflects upon the unique challenges of life as an artist. Working closely with Architectes des Batiments de France (a heritage and landmark authority, part of National Urban Planning), this piece is painted on a four-storey 19th Century building that originally housed the hospital’s palliative care unit, now functioning as an administration building. This work forms part of a general building and renovation program for the hospital, which will be renamed after Léger at the renovation works’ completion (expected sometime in 2014).</image:caption>
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      <image:title>Portfolio - Facade of Ménil Gondouin Church Normandy</image:title>
      <image:caption>Church of Menil-Gondouin mineral paint on stone; (interior and exterior restoration) Location:    Normandy, France Client:        Town Mayor, The Doicese of Sées, French Historical Building Architects Year:        2004-2006 This unique church was first decorated by priest Victor Paysant who wanted to create ‘a living, speaking church’. Beginning in 1873, he covered the building inside and out with colourful images and biblical sayings that he hoped would resonate with the local farming community. It looked and felt completely ahead of it’s time. Upon the priest’s death in 1921, the local religious authorities quickly saw fit to limewash the controversial walls of the church, destroying this powerful example of populist art. Ironically, the limewash preserved some of the paint, helping this local legend to be rediscovered in the 1980s. Heritage France helped to initiate a funding drive which secured enough funds from private citizens, the church and European and regional sources alike to completely restore the building to Paysant’s vision. Having to rely on black and white photographs, postcards and scrapings to decipher the exact pigments used by Paysant, Hugues and his brother Jean-Francois were astounded to come across a first-hand account of the building in its prime. An elderly local woman, well past 100 years, remarked that the colours were wrong after seeing a scale model of the intended restoration. Despite her age, she had excellent vision and memory, remembering the church and priest well. She was able to assit the Sineux Brothers in discerning the exact tonal range of the paintwork. She got her granddaughter to mix watercolours, and hitting upon the right shade, she would send off the sample, allowing Hugues and Jean-Francois to match the colours exactly.</image:caption>
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